La Souris

 
 

Francis Poulenc
Orpheus (4x)
Le Boeuf
La Carpe
Le Chat
La Chénille
Le Cheval
La Chèvre de Thibet
La Colombe
Le Dauphin
Le Dromadaire
L'Ecrevisse
L'Eléphant
Le Hibou
Ibis
Le Lapin
Le Lièvre
Le Lion
La Méduse
La Mouche
Le Paon
Le Poulpe
La Puce
La Sauterelle
Le Serpent
Les Sirènes
La Souris
La Tortue

Guillaume Apollinaire (1880-1918)

le Bestiaire, ou Cortège d'Orphée (1911, gravures Raoul Dufy)

 

[Use the menu to access the other poems, the buttons below to leaf through the book]

- find the mouse first

 

 

 

   
La souris
Belles journées, souris du temps,
Vous rongez peu à peu ma vie.
Dieu ! Je vais avoir vingt-huit ans,
Et mal vécus, à mon envie.
 
De muis
Mooie dagen, muizen der tijd,
jullie knagen stilletjes aan mijn leven.
God ! ik ben al bijna achtentwintig,
verspilde jaren, naar mijn zin.
 
 

Beautiful days, mouse of time,
Little by little you gnaw away my life.
God! I’m going to be twenty-eight –
wasted years |badly lived|, just as I wished.

Or, should we interpret the last line differently: and badly lived, I fear, or to my regret, or neutral: I think ? as other translators (CD-booklets) do.

IMHO: Apollinaire knew what he was writing. Fond of ambiguity as he was, he likes to take his reader "à contre pied". He even speculates on misunderstanding (mis-hearing: à mon envie <> à mon avis. Lees maar er staat niet wat je hoort.) Only (re-)reading reveals true meaning.

 

 

 

Poulenc, Deux mélodies (nr 1), 1956

 

This is the first of two songs written in September 1956. In honour of the eightieth birthday of the soprano Marya Freund, a close colleague of his youthful years, Poulenc returned to the Apollinaire collection that had begun his song-writing career. He chose a deliciously apposite verse for someone (himself surely) who could scarcely believe how the years of his life (1918–1956) had slipped away—slowly nibbled by the mouse of time. In my own experience, having first performed this song long before the age of twenty-eight, there was a distinctly Poulencian melancholy in returning to it for this recording, well over three decades later.

from notes by Graham Johnson © 2013

 

 

 

This site was last updated
 December, 2018

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